Out of Now： The Lifeworks of Tehching Hsieh 脱离现实 mobi pdf azw3 夸克云 pdb 115盘 lrf 下载

　　In the vibrant downtown Manhattan art scene of the late 1970s and early 1980s, the Taiwanese-American artist Tehching Hsieh made an exceptional series of artworks. Hsieh realized five separate one-year-long performances that were unprecedented in their use of physical difficulty over extreme durations and in their absolute conception of art and life as simultaneous processes.

In the unfolding series of these projects Hsieh moved from a year of solitary confinement without any communication, to a year in which he punched a worker’s time clock in his studio on the hour every hour, to a year spent living without any shelter on the streets, to a year in which he was tied closely to the artist Linda Montano without ever touching and, lastly, to a year of total abstention from art activities and influences. In 1986 Hsieh announced that he would spend the next thirteen years making art but not showing it publicly. This final lifework—an immense act of self-affirmation and self-erasure—came to a close at the turn of the millennium.

For many Hsieh is a cult figure. The rigor and dedication of his art inspires passion, while the elusive and epic nature of his performances generates speculation and mythology. After years of near-invisibility Hsieh has now collaborated with the writer and curator Adrian Heathfield to create this meticulous and visually arresting record of the complete body of his artworks from 1978-1999.

Out of Now is the first extensive critical account of these remarkable works. Heathfield's astute meditation is complemented by an intensive exchange with the artist and a set of letters from leading art theorists Peggy Phelan and Carol Becker, and the internationally acclaimed artists Marina Abramovic, Santiago Sierra, and Tim Etchells.

This exquisitely composed volume is essential reading for all those interested in art history, conceptual art, visual culture, and the practice of performance.

Co-published with the Live Art Development Agency

作者简介：

Adrian Heathfield is Professor of Performance and Visual Culture at Roehampton University, London. He is the editor of Live: Art and Performance, Small Acts, and Shattered Anatomies.

IMPRESS OF TIME

THOUGHT

DURATION

REMAINING ALONE

UNDOING TIME

WALKING OUTOF LIFE

LASTING TIES

EXISTENCE ART

THE LIFEWORKS OF TEHCHING HSIEH

ONE YEAR PERFORMANCE 1978-1979

ONE YEAR PERFORMANCE 1980-1981

ONE YEAR PERFORMANCE 1981-1982

ONE YEAR PERFORMANCE 1983-1984

ONE YEAR PERFORMANCE 1985-1986

TECHING HSIEH 1986-1999

I JUST GO IN LIFE

AN EXCHANGE WITH TEHCHING HSIEH

LETTERS

AFTER THOUGHTS

BIBLIOGRAPHY

EXHIBITIONS

BIOGRAPHIES

PHOTOGRAPHY

ACKNOWLEDGMENTS

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书籍介绍

In the vibrant downtown Manhattan art scene of the late 1970s and early 1980s, the Taiwanese-American artist Tehching Hsieh made an exceptional series of artworks. Hsieh realized five separate one-year-long performances that were unprecedented in their use of physical difficulty over extreme durations and in their absolute conception of art and life as simultaneous processes.

In the unfolding series of these projects Hsieh moved from a year of solitary confinement without any communication, to a year in which he punched a worker’s time clock in his studio on the hour every hour, to a year spent living without any shelter on the streets, to a year in which he was tied closely to the artist Linda Montano without ever touching and, lastly, to a year of total abstention from art activities and influences. In 1986 Hsieh announced that he would spend the next thirteen years making art but not showing it publicly. This final lifework—an immense act of self-affirmation and self-erasure—came to a close at the turn of the millennium.

For many Hsieh is a cult figure. The rigor and dedication of his art inspires passion, while the elusive and epic nature of his performances generates speculation and mythology. After years of near-invisibility Hsieh has now collaborated with the writer and curator Adrian Heathfield to create this meticulous and visually arresting record of the complete body of his artworks from 1978-1999.

Out of Now is the first extensive critical account of these remarkable works. Heathfield's astute meditation is complemented by an intensive exchange with the artist and a set of letters from leading art theorists Peggy Phelan and Carol Becker, and the internationally acclaimed artists Marina Abramovic, Santiago Sierra, and Tim Etchells.

This exquisitely composed volume is essential reading for all those interested in art history, conceptual art, visual culture, and the practice of performance.

Co-published with the Live Art Development Agency