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　　Preface; Prologue; 1. Image and typology; 2. Myth and history;

3. Woman of the Apocalypse: Indian seer; 5. Presence and tradition;

6. Patron of Mexico; 7. Divine idea; 8. Heavenly painting; 9. Myth

and scepticism; 10. The last resort; 11. History and infallibility;

12. The coronation; 13. Juan Diego; 14. Nican mopohua; 15. Epiphany

and revelation; Bibliography

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　　Juan Diego, to whom the Virgin Mary appeared in 1531

miraculously imprinting her likeness on his cape, was canonised in

Mexico in 2002 by Pope John Paul II. In 1999, the revered image of

Our Lady of Guadalupe had been proclaimed patron saint of the

Americas by the Pope. How did a poor Indian and a sixteenth-century

Mexican painting of the Virgin Mary attract such unprecedented

honours? Across the centuries the enigmatic power of the image has

aroused fervent devotion in Mexico: it served as the banner of the

rebellion against Spanish rule and, despite scepticism and

anti-clericalism, still remains a potent symbol of the modern

nation. This book traces the intellectual origins, the sudden

efflorescence and the adamantine resilience of the tradition of Our

Lady of Guadalupe and will fascinate anyone concerned with the

history of religion and its symbols.

　　? Vivid account of the most important religious icon in Latin

America, on a par with the shrines at Lourdes or Fatima in Europe ?

The first full, illustrated account of the tradition of Guadalupe

from the sixteenth century to the present day ? Emphasises the

interaction between Mexican patriotism and religion, and looks at

ways in which the image of the Virgin's cloak has been used for

non-religious purposes